The Frivolous Letter (A Short Blog)

I haven’t thought about it, but it seems that what people go for are the most frivolous things.   And like a sweaty comedian with the spotlight on him, I will pander to whomever.  And so what is the most frivolous thing I can think of: anything that has Z instead of S, ok?  I have never, ever, in my life come across something serious, like life-altering, death-defying, knowledge-inducing, light bulb-glowing-above-the-noggin--that has a Z instead of S.  I’m sorry DJz out there, but you are frivolous.  You aren’t bread-on-the-table necessary.  Sorry, but if you’re biz has a Z at the end of it, you aren’t going to be Apple or Bank of America.  And any artizt out there with a Z, or even Poetz, you’re off, you’re wrong.   Frivolity. 

As long as you understand that there are real people who use letters appropriately, then you can understand that your bizness isn’t serious.  Now if I see a little Franciz running down the street, with his sister Azhley, I’ll keep my mouth shut.  Names don’t necessarily count.  But DJ Markyz at Club Treez, just get over yourself and take that Z and shove it up your AZZ.

Cops

                                                                           

I.                 Duties & Responsibilities of Police Officers

The class description for the position of Police Officer, as defined by the Municipal Fire & Police Civil

Service Board (rev. 7-10-75), is hereby reproduced in its entirety:

A. Nature Of Work

This is general and varied duty police work in the protection of life and property through the

enforcement of laws and ordinances. Work involves the responsibility for performing routine

police assignments that are received from police officers of superior rank. Work normally consists

of checking of parking meters for violations, routine patrol, preliminary investigation and traffic

regulation, and investigation duties in a designated area on an assigned shift which involve an

element of personal danger and employees must be able to act without direct supervision and to

exercise independent judgment in meeting emergencies. Employees may receive special

assignments which call upon specialized abilities and knowledge usually acquired through

experience as a uniformed officer. In addition, employees of the class may be required to assist

other personnel of the police department in conducting interrogations, searches, and related duties

as assigned, involving female prisoners or suspects, as well as in escorting females and juveniles to



and from designated points. Assignments and general and special instructions are received from a

superior officer who reviews work methods and results through reports, personal inspection, and

discussion.

B. Illustrative Examples Of Work

(Any one position of this class may not include all duties included, nor do listed examples include

all duties that may be found in positions of this class.)

•       Patrols a designated area of the city on foot, on a motorcycle, or in a radio cruiser to preserve

law and order, to prevent and discover the commission of a crime, and to enforce traffic and

parking regulations.

•       Answers calls and complaints involving fire, automobile accidents, robberies and other

misdemeanors and felonies.

•       obtains witnesses, and makes arrests; testifies as a witness in court.

•       Interviews persons with complaints and inquiries and attempts to make the proper disposition or direct them to proper authorities.

•       Checks parking meters for overtime parking violations and issues traffic tickets; directs traffic

at intersections; participates in escorting funerals and house-movers.

•       Conducts accident investigations providing first-aid for injured, taking safeguards to prevent

further accidents; interviews principals and witnesses, taking written statements from drivers,

witnesses; examines vehicles and roadways, observing traffic control devices and obstruction to

view; takes necessary street measurements; clears the scene of obstructions and wreckage.

•       Escorts prisoners to and from court; insures that prisoners are properly guarded; supervises

trustees washing cars and cleaning buildings.

•       Acts as custodian of personal property and evidence being held for court presentation;

·        maintains records of property, evidence, and automobiles held or impounded.

•       When assigned, is responsible for reloading ammunition at the police training academy, scene of crime administers first aid, conducts preliminary investigations, gathers evidence

·        When assigned, participates in training activities at the police training academy; may instruct or

establish curriculum for instructional purposes.

•       When assigned, investigates crimes; searches  for and preserves evidence; questions suspects

and witnesses; checks pawn shops; maintains surveillance over persons and places suspected of

vice operations.

•       Assists in interrogation and investigations involving female prisoners and juveniles.

•       Searches female prisoners and assists police officers in situations involving female persons.

•       Conducts female prisoners and juveniles to and from jail to courtroom, hospitals, or elsewhere.

•       Performs other related police duties as assigned.

o   C. Necessary Knowledge, Skills And Abilities

•       Ability to cope with situations firmly, courteously, tactfully, and with respect for the rights of

others.

•       Ability to analyze situations quickly and objectively, and to determine proper course of action

to be taken.

•       Ability to understand and carry out oral and written instructions.

•       Ability to write and speak effectively.

•       Ability to develop skill in the use and care of firearms.

•       Good general intelligence and emotional stability.

•       Willingness to cooperate with officials and other police officers.

•       Willingness to learn and increase skill in police work.

D. Required Training And Experience

Graduation from a standard high school or possess a valid certificate of equivalency issued by a

state department of education.

E. Necessary Special Requirements

Must be not less than twenty-one (21), nor more than forty (40) years of age.  Must meet such medical and physical standards as may be prescribed by the civil service board and successfully pass any qualifying examination, either oral or written, that the board may approve.  Must be a citizen of the United States and a resident of Louisiana.  Must be a qualified elector of the State of Louisiana.

                                                                                          *

These are for Cops in Louisiana, but by-and-large, they are for every Cop.  And I can say this with surety because even in this there are loopholes of duties.  

If it has been psychologically proven that the brain doesn’t develop completely until the age of 24-26, why do we ask that cops become indoctrinated into their authority roles before the brain is fully formed, and abstract thought fully developed.  It’s like soldiers.  Despite (C) we don’t want our cops to think, we want them to act.  And behavior-modification will make them learn how to be those men and women who walk around with Power that you and I don’t have.

We don’t want them in the hippie colleges, or very few of them in the Brain Machine.  We want our cops in the Brawn department, like we want our soldiers.  Why?

If Cops thought and actually analyzed things for what they are, they may turn into Serpico and have a thought of their own.  But that’s for the lawyers to decide what is and what is not a thought.  A cop must carry out the LAW and the ORDER, decided upon judges, juries, lawyers, congressmen, and the President.  A Cop is really a peon in the Executive Branch, because he only makes decision about cases.  He is not the judge and jury and lawyer, or the President.  So we gotta keep our Cops dumb, right?  Yes.  Because if a cop wasn’t staring at that radar waiting for you to go 88 miles per hour, but he was reading Proust, he may QUESTION.  He may WRITE.   He may have paralytic moments on the job.   So maybe this really shouldn’t be a law, he may think.  Not all cops are dumb.  That’s like saying anyone without a college degree isn’t smart.  Cops can be sharp as a tack.  They can smell a criminal a mile away, despite most who go by the color of skin and appearance.

No, I truly don’t think all cops are dumb, like I don’t think all army soldiers are fodder.  They are human beings like you and I, but they have The Badge, and wield it around the room, as if it were some kind of phallus and we all were vaginas.  You do not go to a Cop as if they were a human being (unless you knew them in high school or something).  You do not talk to them about the latest David Lynch film and what their favorite type of food is.  You don’t even talk about the President and who they think is a good candidate on both sides.  There is a Badge and it is a Wall.  And this Wall is inhuman.  Through a Cop’s eyes you are either with this Wall or you are against it.  And they size you up in degrees for which you are away from this Wall.  The Wall isn’t even the Law.  The Wall is his or her authority residing over the space around him or her.  And so, you become a kiss-ass of the Wall.  He isn’t selling the Wall and you can’t sell anything to the Wall.  And zeroing-in on those who stray too far from the Wall is a measuring of criminals.  This is not paranoid of me, this is how cops see you and me.  Are you or are you not potentially going to spray paint shit or steal money or talk too loud or get into a fight or be drunk in public.

I see nowhere in these rights and duties and shit, something that says Divine Judgment is given to the Cop.  But America is under God’s trust, so the loophole is there.  The Wall is Divine Judgment with a badge, and it oozes from them.  It gives them the right to beat the shit out of inferior people in their eyes.  And that Still goes on.  It says I came, I saw, I judged, I conquered, with a night stick, mace, and gun.

But maybe I’m being too harsh.  What about the good cop, what would we do without cops?  Unfortunately, in the System as we have it, they must be there.  And some really are good.  They are good like a lawyer is good.  When a case or crime happens, they are whom you have to go to.  They are the peon cogs in the executive branch for us peon citizens.

What would make a good cop, and I’ve spoken briefly to a few, is if they smash through that judgmental wall and drop all duties and BE HUMAN.  I love how in Law & Order, the detectives restlessly, tirelessly fight crime.  That’s the Wall we watch.  And there’s talk of the thin line between taking that pedophile out of commission and an arresting him.

                                                            “The Thin Line”

The reality is, most crime isn’t brutal and disgusting and have some serial mastermind like Charles Manson.  Most crimes are misdemeanors and minor offenses.  Most are alcohol and drug related.  So this thin line is TV Drama and there’s way too much of it.  What the thin line is when the cop must be vigilante and a criminal in order to do good, like kill a mastermind serial killer who will stop at nothing for his next victim.  You kill him or he kills someone else.  DRAMA.

The Real Cop, not a detective, is hanging out about 5 blocks from you just waiting for you to speed, so that he can fulfill his ticket quota, and watch you squirm between anger and kiss-ass.  So that the Badge and the Wall can stand before you and make you shake.  You may be a 59 year old woman, but don’t get out of the car unless he tells you.  You could have gun in your Jaguar.  And they really want to make sure you’re the little old lady from Pasadena is legit with going over papers.   You don’t even want to be a black male at 18 driving without paper.    

Cops are smart to hide their cars, right?  That says it all for me.  That should be their number one duty:

•       hide radio vehicle behind trees and wait for peon drivers, so that you can turn on the blue and reds and start constructing the Wall as you approach.

Notice how over half of the examples are automobile related.  Side note, there’s a lot of escorting of females as well.

                                                                                          *

For all this cop bashing, I do have to say that cops can be good and non-judgmental.  That they can serve the public, in times most needed.  Like Sept. 11.  They can be the brawn when brawn is needed.  As always though, a little revising of the Badge and the necessity to be the way they are.  Did you know Police Officer can also be called Peace Officers?  I would rather see them rename themselves Peace Officer first.  And take away the inhumanity, and learn more about what makes someone Innocent until Proven Guilty.  Because the Wall I talk about says that you are guilty by degrees.  And if they changed their uniforms and colors.  And rewrote their philosophical outlook via consensus.  Perhaps, I wouldn’t call them Cops and then kiss their asses when I’m near the Wall.  Perhaps they could really add Order, rather than Their Order.

Drunken Poetic Manifesto

You don’t have to be drunk to write a manifesto, but it does carry a cliché to its extreme. 

There are no poets, and yet there are no poems.  These are identifiers.  We separate our words and identify them, prose or poetry, business or screenplay.  How many poets have a list of titles next to their name on their business cards?  Only the Poet Laureate may not.  So what about the man or woman who spends his life writing what we would call poetry?  What is it they write?  Surrealists may say they write the lobster.  Dadaists may repeat poetry till it means nothing.  Romantics may say it is clarity of the transcendental.  These all may be well and good, and they are tools to write with.  But writing IS writing.  If it has a turn of phrase or an image or abstract coined phrase, then we can look at the lines going down the page, left-indented and say, this must be poetry.  This must be what I grasp at to be poetry.

And now that there is no poet and no poem; we can say there is no author of a work.  He is the mystery.  Who the hell was Basho?  He wrote the Narrow Road to the Interior, but Who was Basho?  If these words ever make it past my life, they will ask, who was drunk and poetic in his manifesto?  Jackie Chan?

I’m going insane.  I am the “in” of sane.  I walk clumsily to the door and there is an outside world.  Do I fit in there, there where they don’t know who Basho is, there where cinema is Sex in the City and not narrating live before a collaged film?  Though poets don’t exist, the outsider does, and often the two commingle, in a game of observation.  The observer and non-poet see a naked woman, and they see doom at the edge of the stage.  They see what only the poetic mask will write.  This is truly the poet, the mask.  Dylan Thomas wore a mask on the front of his books.  It wasn’t Dylan Thomas the guy who runs up the hills and hangs out by the docks and eats cabbage.   It is Dylan Thomas, the man who wrote I SEE THE BOYS OF SUMMER IN THEIR RUIN; LAY THE GOLD TITHINGS BARREN, SETTING NO STORE BY HARVEST; FREEZE THE SOILS.  This is the man I want to call my poet and those words my poem.  But they are like Frost’s middle of the woods.  The horse thinks its queer that the man stops.  He has miles to go before he sleeps.  That’s the mask of Frost, not the real human being, who widowed and outlived countless children.

A biography can tell so much about the poetic mask.  It is what we really are interpreting.  When Ginsberg sees the greatest minds of his generation, who do we imagine?  You name it.  But that’s Ginsberg’s mask seeing things.

I tell you there are no poems, because there are only passages of poetics.  They have a shape we identify, with a poet’s mask we may know.

 

A Bird came down the Walk— He did not know I saw— He bit an Angleworm in halves And ate the fellow, raw, And then he drank a Dew From a convenient Grass— And then hopped sidewise to the Wall To let a Beetle pass— He glanced with rapid eyes That hurried all around— They looked like frightened Beads, I thought— He stirred his Velvet Head Like one in danger, Cautious, I offered him a Crumb And he unrolled his feathers And rowed him softer home— Than Oars divide the Ocean, Too silver for a seam— Or Butterflies, off Banks of Noon Leap, plashless as they swim.

This is Emily Dickinson’s poetic passage.  It is marked by quatrains and dashes.  And how closely her mask is to the passage is about as important as you want to make it.  For example, you may say, aha, there is an “I” here.  That is and was never Emily Dickinson, even if she herself offered the crumb itself.  It is the mask of Dickinson, layered in the quatrain lines.  In the multi-layers of lines, the mask can mirror, at times, the reader.  This is why god-too-many say that poetry is subjective.

When someone tells me, poetry is subjective, I poeticize my mask, and say, it is what it is, as they say.  This used to be my manifesto, standing like David as it is, interpreting nothing.  However, the problem with this is, is that any reader who reads anything needs to interpret it for themselves.  If I say, really Emily Dickinson is talking about the existential gloom of the ocean and bird and this isn’t in harmony with someone else’s interpretation, we are in Subjectiveville.  And I’m not going to argue that there’s an Objectiveville we should learn from.  Nothing is worse than a poem inspiring you all your life, and then finding out that it was written as a joke.

The Poet’s Mask has no control over the Poetic’s Effect.  However, he or she has power over the poetic passage.

Poets out there, next time you take off your mask and sit on the toilet or search the refridge for pickles, know your mask is different.  It scalds your face.  It writes from its armor.  It is not you.  You are your mother’s daughter or son, and they’ll fear your next flight out of the USA.       

Mass Media and Youth

Now I may be ignorant of current affairs, but someone posted on Facebook that Stephen King will have his own left-wing radio show.  It is to counter all the right-wing radio shows.

Now what I want to know is where in the political schema has Stephen King become an authority, who can speak on behalf of the “left-wing.”  I suppose someone could point the finger at my zany essays and say what gives you the right?  But I write this down, I don’t take callers and expound on green living.  I don’t see PhD of Political Affairs next to Stephen King’s name. I see a horror writer who’s a juggernaut of a star.  What that picture of Stephen King and few lines about right-wing v left wing was really was a promotional deal.  And it did make headlines.  And people think things like that make a difference.

Current affairs are in motion and history tells its truth.  We can look at this or that President now, but in hindsight, we can see the truth or falsity of their Presidency.  So many people get caught up in current affairs that they forget to do anything about them, except write a bitchy line or two.  To do something is uncool and you’re defeated even if you think about it.

See, the promotional tactics automatically will never get people really moving.  I’ve never walked out of a documentary and seen people picket the White House.  Who does that?  That’s because you can tell a salesman a mile away.  They are selling Stephen King to you.

In the 1950s, as we all know, the advertising groups decided that they would target a new market: teenagers.  It was a new concept.  Instead of a woman showing off a washer and dryer or the latest gizmo, commercials on TV would show teenagers riding in cars, hitting the malt shop, and doing 50 teenager-type things.  Teenagers not only had cars, but they had money.  And eventually they had credit cards.  This is critical, if you didn’t know this.  Because, ever since then, all advertising is really aimed at the 13-20 crowd or some age range like that.

This is why, by the 1980s, you have John Hughes as King of Hollywood, influencing the minds of teenagers all across America.  But it doesn’t even stop in the 80s.  The 1990s had a Reality Bites-type of MTV, with glorified videos.  And we all grew up with this and we all ate it up, so much so, that there are so many sublevels of irony and mimicked films, directors now can’t even make an original teen movie or horror film.

This is the current affair—Teenage Wasteland.  And while the US teenager and the immigrant teenager who wants the credit card as well, you have “adults” making decisions.

You know who I really respect, not Bob Dylan, Jim Morrison, or the Beatles, but those gray haired reporters who asked them rather insightful questions.   Who were those men, I wonder?  What are their life stories?  They were the old guard that saw these young artists as punks.  And in actuality, they were.  Worshipped punks.  For example, one reporter said that John Lennon said he was shy.  Then he showed the picture of Yoko and John naked on the cover of The Plastic Ono Band.  John still denied and said he was shy.  It was bald face lying to the reporter.

Those gray-haired thick-rimmed anti-rock ‘n roller reporters will always go down in history as a mystery to me.  They wanted clarity, but the new vanguard and their worshipped youth could say the sky was a microphone and it was legit.  While we don’t have a Jim Morrison any more, we are left with derivative rock, fourth generation Doors.  And it is about time advertising and journalism divorce and go their merry ways.  For the secrets aren’t in Stephen King or Rush Limbaugh or anyone who runs his mouth till its dry, and does aside commercials for gold or solar panels to keep the radio going.

In fact, what I want to see is the real thoughts behind the journalist, in essay form, analyzing all there is to be seen.  Why doesn’t a journalist just come out and say, this isn’t the news, this is dead-on promotion.  I guarantee that over half of the news is promoting something.  Britney Spears just cut a new single.  Michelle Obama’s new clothes were designed by so-and-so.

I’m not saying I am the ultimate authority on media.  I’m saying that a hardcore revision needs to overhaul the Mass Media.          

More Mediums: Youtube

http://www.youtube.com/user/vcaruso1980?feature=mhee

The Birthright of RoadGhost

This link will take you to the Other Side of me.  It's only about 6 or 7 minutes long, so you won't have the opera like you did before.

Register, Please

“Hey there sexy, you’re just what I’ve been looking for NSA :) if you know what I meen, but in order for us to chat I need you IM.  It’s the hottest new dating service in town.”

Now this may be an obvious ploy, but how many websites need you to subscribe, need your information, or your credit card and cvv numbers now?  Every single one.  There must be a server out there with my name on it.  I can’t eve LIST all the websites that take down my information, so I can create a username and password.

From your bank, to Facebook, to Twitter, to emails, iTunes, to real dating websites—it seems that everywhere I turn I either get some kind of free trial, with limited access, or must pay for the complete subscription—hell, even this free blogger website I needed to use my information.

I remember a few years ago musicians were complaining about their intellectual property and copyrights and their theft.  No longer do I feel this way.  I think everything on the Internet should be without usernames and passwords and credit card entries.  Jesus!

I mean, I know I’m bitching, but, if I want to build a website, they have to know who my great grandfather was. If I want to go to a poetry website or submit poetry, I have to name my first born son.

So why all these little *s that ask private questions like “what was the first concert you went to?”

Privacy—because there are little 14 year old hackers, who are way savvier at finding out your identity,   that want your information.  But in the process of filling out your information, I am giving license to Zoosk or whatever, every time there’s some news you don’t care about.  Half of my email is “news” I wish would go away.  And that’s even if I check the box not to get newsletters.

The worst are toolbars.  Every program tries to slide in an already checked toolbar.  If I didn’t pay attention, half your browser would be toolbars all doing virtually nothing, but selling shit.

So not only are businesses, programs, and even this Word program trying to figure out ways to take my information, but they want me to be totally consumed by them.  They want me to download them and throw every hook at me.  It’s like some kind of video game, dodging the information attacks.

And in the end, while the 14 year olds can junk up the junk mail, the businesses and programs I choose can junk up my mail as well.  Maybe I’m not smart, maybe I should unsubscribe every new program or business.  Maybe I should be a hacker and hack programs—wouldn’t that be the ultimate privacy, no username, no password, no filling in credit card information.

Or rather, why not like literary magazines, have one program you fill out—and the businesses go to it.  Think about it.  How many usernames and passwords and credit card information are out in some server just waiting for the right hacker?  Make it the Fort Knox of Internet Information.  And it has a list of every business and program I bought or subscribed to.